Sandra Woodcut
2025
7” x 9”
London Blitz 2024
Monotype
14.5x22
After the Flood Monotype 2025 13”x10”
Spanish Coast Monotype 2025 13”x10”
Monotype and graphite
2024
21x27
Monotype
2023
21×27
2024
Monotype
15x22
Drawing and Monotype
2020-2025
22×30
2024
Monotype
8.5x10
woodblock
2021
5×7
Golden Citadel
2017
Lithography, monotype and Drawing
10x11
Monotype
2020
5×7
Monotype
2020
5×7
Impenetrable I
2017
Monotype and drawing
Collaboration with Claire Fouquet
11.5"x30"
Impenetrable II
2017
Monotype and Drawing
Collaboration with Claire Fouquet
11.5"x30"
2017
Monotype and Drawing
Collaboration with Claire Fouquet
11.5"x30"
2015
Monotype and Drawing
17.75''x12''
Monotype on handmade paper
In collaboration with Claire Fouquet
2014
26 x 20.5
2014
Monotype on handmade paper
In collaboration with Claire Fouquet
26 x 20.5
2015
Monotype
Collaboration with Claire Fouquet
17.75''x12''
2014
Monotype
Collaboration with Claire Fouquet
17.75''x12''
2014
Monotype
Collaboration with Claire Fouquet
17.75''x12''
2014
Monotype
Collaboration with Claire Fouquet
17.75''x12''
2014
Monotype on handmade pape
In collaboration with Claire Fouquet
17.75''x12''
2014
Monotype on handmade paper
In collaboration with Claire Fouquet
17.75''x12''
2014
Monotype on handmade paper
In collaboration with Claire Fouquet
7.75''x12''
2013
Monotype on handmade paper
In collaboration with Claire Fouquet
26 x 20.5
2013
Monotype on handmade paper
In collaboration with Claire Fouquet
26 x 20.5
2013
Monotype
In collaboration with Claire Fouquet
28.5''x15''
2013
Monotype and Graphite
17.75''x12'' (x2)
2013
Monotype and Graphite
17.75''x12'' (x3)
2013
Mixed media, monotype, wax, acrylic, powder pigment and graphite
22''x30''
2013
mixed media, monotype, wax, acrylic, powder pigment, graphite
22''x30''
2007-9
Graphite
22''x30''
2007-9
Graphite
22''x30''
2007-9
Graphite
22''x30''
2007-9
Graphite
22''x30''
2005
Reduction woodcut
5''x5''
2004
Woodblock
15''x12''
2004
Woodcut
15''x12''
2004
Woodcut
12''x15''
Red Dress
offset Lithograph
22”x28”
Red Dress Paper Doll
offset lithograph
13”x19”
Portrait of a Model Child
Offset Lithograph
30”x22”
Model Child 4 Panels
offset Lithograph
20”x12”
Flowers of Evil
offset lithograph
20”x28”
Collaboration with Daveed Buzaglo and Jamie Askey, the City Lyric Opera Company.
Performed in the Co-cathedral of St. Joseph, Brooklyn, NY, 2024.
On the Other Side, collaborative exhibition with Claire Fouquet,
Brooklyn, NY 2017
On the Other Side, collaborative exhibition with Claire Fouquet,
Brooklyn, NY 2017
On the Other Side, collaborative exhibition with Claire Fouquet,
Brooklyn, NY 2017
2014
Still of Window on Broad at Rosenwald-Wolf Gallery at The University of the Arts.
2014
Still of Window on Broad at Rosenwald-Wolf Gallery at The University of the Arts.
2014
Still shot of Window on Broad at The University of Arts Rosenwald-Wolf Gallery
2014
Still shot of Window on Broad at The University of Arts Rosenwald-Wolf Gallery
2014
Still of Window on Broad at Rosenwald-Wolf Gallery at The University of the Arts.
In collaboration with Claire Fouquet.
December 2013
The performance “Obstacle Illusion” was held at the Merriam Theater, Philadelphia, Pennsylvania on the 13th and 14th of December 2013, animation and visuals by Patty Smith and Claire Fouquet, performance Documentary film by Sarah Schwartz, choreography by J.E. Kim, music and dance performance by students of the University of the Arts, College of Performing Arts.
2013
In Collaboration between Claire Fouquet, University of the Arts students in the College of Performing Arts and the College of Art, Media and Design. Film by Sarah Smith Schwartz BFA '10 (Film/Video).
December 2013
Trailer of Obstacle Illusion.
Animation and Visuals by Patty Smith and Claire Fouquet, performance Documentary film by Sarah Schwartz, choreography by J.E. Kim, music and dance performance by students of the University of the Arts, College of Performing Arts.
December 2013
Video of the creation of Obstacle Illusion.
In collaboration with Claire Fouquet.
2024
In Collaboration with Claire Fouquet
"& (Ampersand)" celebrates Smith and Fouquet's collaborations, featuring individual and joint works in a playful flagbook structure. This piece illustrates creative synergy and demonstrates the power of artistic partnership.
(Variable Edition of 15)
2026
by Claire Fouquet and Patty Smith
This “livre-library” is composed of 26 miniature books arranged from A to Z. Their titles, in five languages, are drawn from the craft of book arts and reference the countries colonized by the powers that spoke English, French, Spanish, Portuguese, or Dutch. Together, these European powers colonized vast stretches of Africa, the Americas, Asia and Oceania between the 16th and 20th centuries. Each imposed its own culture, religion, and language.
Today, although most peoples have gained the right to self-determination, they retain, as a legacy of the colonial era, elements of their colonizer’s culture and, above all, its language preserved either solely for government use or spoken in everyday life. English, for instance, is the language of the United States and Australia; Canada retains both English and French. All of these countries were once colonies. French remains the administrative language in many countries across Africa and the Maghreb. South America is predominantly Spanish speaking, with the exception of Brazil, where Portuguese is spoken. Afrikaans, in South Africa, is a linguistic evolution of Dutch to name just a few examples. Through this work the artists seek to make clear the vast scope and lasting influence of colonization,
Created by Claire Fouquet and Patty Smith in 2026, it is printed inkjet on Ingres Canson 135g paper
1996
Offset lithography
This pocket-sized Book of Days for the over-programmed contemporary woman highlights a week’s omissions with cheerful pop-up guilt markers, lamenting with playful practicality a woman’s fragile defenses against conflicting obligations.
Printed in the Borowsky Center for Publication Arts at The University of the Arts, Philadelphia, PA, published by P.S. Press in an edition of 350, signed by the artist.
16 pages, concertina fold, 3x4½ in. closed, five colors, printed in offset lithography on Mohawk Superfine paper
Published in 1996
Artist Book/Jacob’s Ladder
2023
Woodcut
In Collaboration with Claire Fouquet
So Many Seeds, by Patty Smith and Claire Fouquet: Artists book, woodblock images with text. 3 inches x 3 inches when closed, 3 inches x 18 inches when open.
Created in 2023, the book/object, So Many Seeds addresses the war in Ukraine through image, text and structure. Upon opening the enclosure the viewer finds an original water color of a sunflower, Ukraine’s national flower. When one removes the Jacob's ladder from its box, two sides can be seen. The black andwhite images are of weapons of war intermingled with sunflower seeds. The color images are of sunflowers in bloom. The sunflower has long been an important part of the Ukrainian and global economy, as well as a symbol of peace. Since the war, beginning in 2022, it has taken on greater meaning, representing resistance, unity and hope, and used internationally as a display of support for Ukraine.
When the Jacob's ladder is manipulated the text is revealed, clarifying the images. Destruction and pain on one side, on the other resilience and hope. When flipped again the narrative becomes mute, not unlike the media coverage that has diminished over time. The cascading of the object brings to mind how one action affects another as a war has global consequences. The title and parts of the text are inspired by a video dating from the start of the war in which an elderly Ukrainian woman encounters a young Russian soldier/occupier and offers him sunflower seeds, telling him to put them in his pocket so that his death on Ukrainian soil will yield “....Bright yellow sunflowers against a bright blue sky”. (Jeremy Cliff, the New Statesman”.) The colors of the Flag of Ukraine.
2016
silkscreen, recto,
in collaboration with Claire Fouquet
Published by the Womens' Studio Workshop
Rosendale, NY
Patty Smith & Claire Fouquet
On the Other Side is a collaborative work between French artist Claire Fouquet and American book artist Patty Smith that addresses issues of emigration. The concept originated as a response to the fences built by the United States to keep out illegal immigrants and by the French government’s policy on immigration.
The book is a two-sided accordion with the recto side listing the fears that might be experienced by the emigrant. The cut windows entice the viewer to turn the concertina inside out. The verso side describes potential advantages, opportunities, and joys that might lead one “to appreciate the unfamiliar”. The work is also a comment on internal anxiety that prevents us from moving forward in our personal lives. Some obstacles, seemingly threatening and impossible to surmount, may be the product of our fear of failure or the unfamiliar. These illusions, manufactured by uncertainty, can be transcended through personal resolve and collective effort.
Published by the Womens' Studio Workshop, Rosendale, NY in 2016.
(French version of On the Other Side)
2015
Lithograph
2016
Monotype and letterpress artist book
In collaboration with Claire Fouquet and Denise Carbone
Slingfold Structure invented by Hedi Kyle
For centuries, hardship and persecution have driven emigrants from their homelands in search of a better life elsewhere. The Irish fled famine, the Italians rural poverty, Russian Jews fled pogroms, and Mexican migration has shifted with labor demand and shifting borders for over a century. The artist book Geology/Genealogy brings these waves of emigration to light. Printed letterpress and monotype on Tyvek, this slingfold structure expands to reveal generations of emigrants from several countries who migrated elsewhere from the 18th to the 21st centuries
2007
Offset lithography
Context of a Red Dress was produced for the Thesaurus Book Exchange, a collection of books by the alumni and faculty of the MFA Book Arts/Printmaking Program, The University of the Arts, Philadelphia, PA. The book was printed by the artist on the Davidson 901 offset press at The University of the Arts on Mohawk Superfine paper. Hedi Kyle invented the flag book structure. James Engelbart assisted with the binding. Published by P.S. Press 2005
2007
Lithography
2003
Offset lithography
By Patricia M. Smith, hand bound artist book, lithography, 4 inches x 6 inches, closed
This secular book of hours is a vehicle for recollection and reflection. The text references both the canonical hours of a day and the catastrophic events of our time. The images are taken from graphite rubbings by the artist. This codex contains three signatures, each with four folios. The experience of the hours builds to the folio entitled Vespers which pulls out as an extended accordian. Hours is bound with a. hard cover wrapped in purple Chinese silk book cloth with a black spine. It was Printed by the artist on the Heidelberg Kors offset press at the Borowsky Center for Publication Arts, The University of the Arts, Philadelphia, 2003.
Edition of 150
